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Here, festival co-founder Montteal Eugene shares thoughts on this week's launch. I interviewed Ethel Eugene A. Samantha Garritano about the impetus to set up a queer, feminist DIY haven like Slut Island, how the presence of active listeners can make venues safer spaces, and how the event posters she des with representational drawings of the performers are tools for advocacy. Merray Gerges: The name of the festival itself sounds similar to, and may be a dig at Sled Island [an slut independent Calgary-based music and art festival], but Slut Island is a response to the general lack of festival programming that prioritizes women-identifying montreal. You want to have the space to call that out and know that people will take you seriously.

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Now we can actually pay people who are playing this festival, which is by and for underrepresented people, as if it was a super official xlut.

At Canadian Art, she was editorial resident inand assistant editor from to The fact that montreal was a Slut Island event gave me the power to remove this person from the space, leaving no room for someone to diminish how it felt, to elut this person or to make me have to explain the humiliation and violation that I felt in hopes of validating my experience enough for someone to take it seriously. She's currently the editorial fellow at C Magazine. We also found out two days ago that we got funding this slut for the first time ever.

Slut island festival

This is the most important and complex layer of the festival and organizing for the public in general. Here, festival co-founder Ethel Eugene shares thoughts on this week's launch.

During our recent collaboration with Suoni Per Il Popolo, there was a person in the audience that was taking pictures of my legs and it really disturbed me. You want to have the space to call that out and know that people will take you seriously. Would this make a good show? While we only have the resources to host parties in public accessible venues, we cannot control who hears about the events or who is passing by and mohtreal to come in, etc.

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With all the notes and direction of the curatorial jury, Frankie and I constructed the final lineups. Can I groove to it?

If a person is not trained in active listening or harm reduction, lsut might call the cops or something, which is obviously the shittiest idea ever. What is not working? Being able to make payment guarantees to our performers legitimized our cause, in a way, because it afforded us the ability to properly compensate performers living on the margins.

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Samantha Garritano about the slut to set up a queer, feminist DIY haven like Slut Island, how the presence of active listeners can make venues safer spaces, and how the event posters she des with representational drawings of the performers are tools for advocacy. In the past year, people inside and around the fest survived violent attacks based on gender expression and race.

EE: Frankie and I are the sole curators and our interests are wide-ranging. We did a call for curators, montreal a handful of CVs and made a final selections of 7 curators including one Skype-in from New Orleans. mpntreal

I assume it feels good to play a show where the poster features a custom made portrait of you. Every year of the festival is such a ificant learning experience and we just keep getting better at filling gaps from editions, updating our rhetoric and addressing needs as slyt come up.

Merray Gerges: The name of the festival itself sounds similar to, and may be a dig at Sled Island [an annual independent Calgary-based monyreal and art festival], but Slut Island is a response to the general lack of festival programming that prioritizes women-identifying people. Both hosting venues, Le Ritz P. EE: I love that about show posters, too.

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Active listeners are trained to be alert and engaged and to respond with care. Most of the shows are PWYC [pay what you can], right? However, we promise to do everything we can to try and avoid it or make it elut by listening to hearing, believing the experiences of disempowered people and learning more with each edition of the festival.

In the event that someone does feel unsafe, which could mean a wide range of things, they have someone to talk to who cares. Ethel Eugene spends approximately 15 hours on average on each poster, and Frankie single-handedly wheat pastes them all over the city.

I interviewed Ethel Eugene A. EE: For sure. MG: How do you curate performers when political alignment is a priority?

We have security present on site, we have naloxone kits and identifiable active listeners at every alut who are trained in de-escalation and harm reduction tactics. MG: What are active listeners and how are they trained? There are things that we could do to help each other without involving cops. A Slut Island poster by Ethel Eugene.

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I have also born witness to musicians and artists with more marginal identities than my own facing either more overtly severe or insidious instances of aggression and violence. However, we are pleased to announce that this year, both hosting venues, Le Ritz P. At this moment, we continue to honour our zero tolerance montreao we have removed people from events several times, with many abusers on permanent ban.

EE: Yes, yes, yes. We received funding for the first time inwhich brought the whole operation to another level.

Slut island: montreal’s queer feminist diy haven

Merray Gerges Merray Gerges writes around art rather than about it. We prioritize people who need a space like Slut Island while carefully constructing a cohesive and pleasurable evening.

Your party is up three flights of stairs. MG: Are all the venues accessible this year? If this behaviour is reported to us you will be asked to leave.

The Slut Island statement is clear about the need for safer spaces, something that could never be guaranteed but definitely worked on. You rule.

Due to our privilege, we were pretty naive for a long time, thinking that making disclaimers and posting non-violence policies on our sult s, at the door and all over the walls would ward off potential perpetrators of violence.